![]() If news organizations are blocked from these platforms, what will fill the gap is information from non-news sources, including nefarious groups that put out misinformation. Why does this matter? Social media platforms and search engines are how many people start their news reading journey and how a lot of new readers are introduced to professional, high-quality journalism. Facebook has said they will start blocking news content within a matter of weeks. Google and Facebook are opposed to the new law, and they are doing everything they can to fight it, including threatening to block all Canadian news content on their platforms. It’s a very big deal for independent news sites in Canada.Ĭanada recently passed the Online News Act, which would compel tech giants like Google and Facebook to compensate Canadian news organizations for the content that is widely shared on their platforms. And we also want to warn you that how you access Canadian journalism online could be about to change. If you got to The Tyee by a search engine or a social media site, we’re glad you’re here. If you'd like to join thousands of readers who help make independent journalism possible, consider joining Tyee Builders. Instead of focusing on what kind of articles will attract the most advertising dollars, we can spend time devoted to researching and writing stories that our readers find most valuable and make the most positive impact in our region. This core of supporters - making up about 1 to 2 per cent of our daily readership - enables us to pay our writers, keep our articles free and open to all, and not bombard our readers with annoying ads while you try to read. Tyee Builders are readers who contribute a bit of money - at a level and frequency of their choice - to support our editorial budget. We're able to focus our attention on publishing impactful journalism in the public interest, and publish it for free for all to read, because we have the support of Tyee Builders. Our team of independent journalists takes pride in doing in-depth reporting and taking time to get it right. If you also believe that everyone deserves access to trusted high-quality information, will you make a gift to Vox today? Any amount helps.Thanks for reading The Tyee today - we hope this article added to your day in some way. (And no matter how our work is funded, we have strict guidelines on editorial independence.) That’s why, even though advertising is still our biggest source of revenue, we also seek grants and reader support. It’s important that we have several ways we make money, just like it’s important for you to have a diversified retirement portfolio to weather the ups and downs of the stock market. ![]() And we can’t do that if we have a paywall. ![]() We believe that’s an important part of building a more equal society. Vox is here to help everyone understand the complex issues shaping the world - not just the people who can afford to pay for a subscription. Second, we’re not in the subscriptions business. We often only know a few months out what our advertising revenue will be, which makes it hard to plan ahead. But when it comes to what we’re trying to do at Vox, there are a couple of big issues with relying on ads and subscriptions to keep the lights on.įirst, advertising dollars go up and down with the economy. Most news outlets make their money through advertising or subscriptions. Will you support Vox’s explanatory journalism? You can find this video and all of Vox’s videos on our YouTube channel. And it’s working.Ĭheck out the kings we interviewed by following them on Instagram! Today, drag kings are pushing for space in a cis male-dominated field. And by the 1990s, there was a thriving drag king scene in cities like New York City, San Francisco, and London. And in the early 1900s, Go-won-go Mohawk was likely the first Indigenous male impersonator.īy the early 1900s, black performers like Gladys Bentley and Stormé DeLarverie were becoming drag pioneers. In the mid-to-late 1800s, drag king pioneers like Annie Hindle, Vesta Tilley, and Ella Wesner began performing. In China, documentation of “male impersonators” dates back to the Tang Dynasty, from 618 to 907 AD. And performers like these have been around for centuries. In the words of King Molasses, drag is full of “that swag you get in the shower that nobody sees.” Drag king performances are all about playing with masculine identities: politicizing them, satirizing them, and having fun with them. We interviewed five drag kings about their relationships to drag, how the artform has transformed, and what they love about it. ![]() Drag kings have historically gotten a lot less attention than drag queens, but that’s starting to change.
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